UHK FiM Computer Graphics 3 (PGRF3) project. Postprocessing, first step height texture, second step normal texture, third step implement texture on object (GRID) with blinn-phong lighting including parallax and normal mapping, fouth step drawing of light source in scene. Music: Depeche Mode - Strangelove

Learn how to use Blender dynamics, to make an interactive wave simulation. This is super easy and quick. hope you enjoy.

Simple ripple using Sin wave

Never Miss it Get this course here now - https://www.udemy.com/build-a-real-world-responsive-website-with-html-5-css-3-js/?couponCode=LEARN_SOMETHING Checkout my Bestselling courses here now - https://www.udemy.com/user/51a26aa6-9abe-4763-9c39-8909b6290c6a/ -------------------------------------------------------------------- WELCOME TO THE VERY FIRST COURSE FOR PSD TO HTML5 HERE FROM SCRATCH DOWNLOAD SOURCE FILE HERE -https://drive.google.com/open?id=1l2b9t-kHCa2HnF1A_PRPXS5w8qc2dNIR ** COMPLETE WEBSITE DESIGNING COURSES HERE ------------------------------------------------------------------------------- HTML5|| CSS3 || BOOTSTRAP|| JAVASCRIPT || JQUERY || PHP || MYSQLI || WORDPRESS ------------------------------------------------------------------------------- ** COMPLETE WEBSITE DEVELOPING COURSES ARE COMING NOW ------------------------------------------------------------------------------- JAVASCRIPT|| NODE.JS || RUBY ON RAILS|| CODEIGNITER || GO || SHOPIFY |||| In this video you will come to know that how to create the water ripple effects for your website using Html 5 and JQuery plugin- This is very easy and smooth going video so you will get it exactly. Hope this video will help you for your website design and development using Html 5 css 3 javascript and jquery Subscribe the channel here- https://www.youtube.com/channel/UC8xTHK97Ng__KZvGcO_K7CA?sub_confirmation=1 Join the group here - https://www.facebook.com/groups/328971707545530/ Track: Jimmy Hardwind - Want Me (feat. Mike Archangelo) Link: https://youtu.be/-Rw8zR9wmTY

Demonstration of my Pixel Shader work - October 25th, 2012 ** Apologies for video stutter, it's the recording software not the shader :) ** Shader coded in HLSL, DirectX 9, Shader Model 2.0, limited to 64 instructions per pass Operates in eight passes. Six passes to generate wave map, one per ripple channel. One pass to bake caustic effects into a base texture. Final pass for reflections and compositing. Near-zero GPU utilization at 1920x1080, 60fps on a modern desktop (Radeon 6850). But, very chuggy on an older laptop (Intel Express Series 4 Chipset). Recording software had a lot of trouble recording this, so it's greatly downsampled. Send comments, questions, or consulting offers :D Thanks for watching.

GLSL Heat Wave demo

I've finally coded up a collision engine (doesn't support slopes) but it will do, this is my first collision engine that doesn't use the naive method (that i've used in straight fighter) and I'm happy I've coded it. I will probably use this collision engine for my future projects, as it works very well. I've also experimented with some OpenGL shader language, or GLSL shaders. As you can see I'm transforming the vertexes based on a simple sine wave effect which looks very trippy and cool. I've gotten previous experience with shaders at http://www.shadertoy.com/user/felixisdev but haven't used them in a program yet.

Setting a texture to animate UV rotation in a shader is now possible. Trippy as fuck looking.

🌊 Learn how to code 2D dynamic water using GameMaker Studio 1.4 or 2! This lesson will build off concepts I taught in my Intro to Springs and Elasticity video, so I’d recommend watching that first if you haven’t already. You can watch Part 1 here: https://www.youtube.com/watch?v=vewwP8Od_7s Source code » https://github.com/zbanack/TSE-dynamic-water Twitter » https://twitter.com/thestepevent Facebook » https://www.facebook.com/thestepevent Zack Banack » https://zackbanack.com Just like in Part 1, I’d like to give a huge shoutout to Michael Hoffman for his original C# and XNA tutorial on this very subject, which I’m using as a foundation for this Springs series. Check out his article: https://gamedevelopment.tutsplus.com/tutorials/make-a-splash-with-dynamic-2d-water-effects--gamedev-236 Rough transcript: The dynamic water we’re coding won’t follow the real-world physics of liquids. But it’s a great effect that can add polish and bring some life to your games. You can replace static bodies of water, or at least their surfaces, with this. In part 1, we went over how to code and interact with springs independently. That is, the movement of one spring won’t affect adjacent springs. You can think of our dynamic water as just a bunch of springs, side by side. But connected, almost. When I displace one spring, neighboring springs are also displaced. The closer a spring to the manipulated spring, the more movement. Further away, and we get less. Next we just replace springs with “columns”, or trapezoids. And give it some nice coloring. Bam, water! And I’m going to be tackling the code in three distinct parts. First, I want to program a series of springs, side by side, and draw them in the room. Second, we’ll “link” the springs together. And lastly, we’ll make it look pretty. When it comes to defining variables, first, we should know the dimensions of our body of water. We’ll call bodyWidth the width of the body, and bodyHeight the height of the body. bodyX and bodyY define the (x, y) coordinates of the top-left corner of the body in the room. So, the bottom-right corner of the body of water would be bodyX + bodyWidth, bodyY + bodyHeight. Last time, we coded obj_spring. Each instance of obj_spring acted as an individual spring. We could iterate over adjacent instances of a spring object and achieve the dynamic water effect. But it’s easier for us to create multiple springs inside of one all-encompassing body-of-water object. So, we need to figure out how many “columns”, or springs, this body of water will contain. Here’s each column drawn in an alternating color. Too few columns and the effect isn’t as really noticeable. Too many columns and the splashes are going to feel, uh, lumpy? There isn’t a “correct” number of columns to use. It depends on what effect you’re going for and how large your body of water is. I personally like 1 column every 64-96px. So, for this body I’ve decided columns = 10. columnWidth, the variable assigned to the width of each column, is bodyWidth divided by columns. Or, 800 / 10 = 80. Each column has four corners. A given column top-right corner is the following column’s top-left. This gives us a smooth surface. And we can calculate a corner with some simple math. For instance, x1 of a given column would be bodyX + (n * columnWidth). Knowing this, we can solve for the other coordinates pretty easily. Dampening and Tension can be defined like last time, alongside a new variable, “spread”. Spread is the pull that each column has on its neighboring columns. The higher this number and the more "jello"-like the liquid appears.

New tutorial on our DevBlog: ANIMATING WATER WITH A FRAGMENT SHADER IN IOS8 read full BlogPost: http://www.free-pobo.com/animating-water-fragment-shader-ios8/

test for a pixel shader effect

Playing with OpenGL, drawing lotsa sinewaves.

Important Edit: Change graphics from fancy to fast. Water shader v4d+Optifine D3 Installation video for those with problems installing the two mods together.

Shader animated material test (engine v 4.0 alpha)

Sorry for the low quality! OBS keeps screwing up! Article: https://gdpalace.wordpress.com/2017/08/31/reflection/ TileSets Tutorial by GM Wolf: https://www.youtube.com/watch?v=38YhjXtF6Ak Very Basics of Cameras by Shaun Spalding: https://www.youtube.com/watch?v=rrn_2hxL11A&t=230s Setting up Cameraas by FriendlyCosmonaut: https://www.youtube.com/watch?v=UNZ97-c3dhY&t=5s Follow me on twitter! @GMCrowYT

Using Kinect to manipulate time and space. This is a WPF application using the Kinect SDK to track limbs, which are used to control a ripple effect pixel shader.

A small part of one of my projects in real-time graphics course at DTU. It shows how multi-texturing and blending using shaders in OpenGL can be used to create cool effects like these, a fast spinning "spiral galaxy" and a beam. It's not pre-rendered, it runs in real-time on an opengl rendering engine i'm working on. Also, since all the geometry needed are 3 quads (not including the skybox), it has a very low impact on frame rate. The engine is a C++/Python hybrid using Boost::Python, more info: http://www2.imm.dtu.dk/visiondag/VD08/posters/pdf/Visionday08-3Dmusic.pdf Captured with Fraps Skybox texture from EVE-Online P.s. don't dis the lousy touchpad-camerawork :)

The Shader Show demo illustrates the exciting possiblities of programmable shaders. It highlights procedural texturing effects (wood, fire, clouds, polka dots, brickwork, etc.), procedural deformations (wobbling, waves, variable scaling, melting, etc.) and advanced lighting effect (anisotropic, per-pixel bumpmapping, specular effects, cartoon cell shading, etc.). In addition there is environment mapping and fragment shader branching applied to a variety of different static (mask, lobster, bear, statue, sphere, knot, etc.) and vertex skinned objects (monkey, duck, etc.). This demonstration includes a rolling demo mode with more than 20 different shader effects on-screen at the same time and an interactive mode which allows the user to browse the catalog of effects and objects.

Testing Ripple effect shader using overlap2d shader component

Interactive water on Android using shaders in OpenGL ES 2.0. Made it for a class, running on an original Motorola Droid Some sites I used: http://freespace.virgin.net/hugo.elias/graphics/x_water.htm http://http.developer.nvidia.com/GPUGems2/gpugems2_chapter19.html http://www.ozone3d.net/tutorials/glsl_lighting_phong.php

Second iteration on an XNA/HLSL effect for the "ripple wave" in "Pitch" game.

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A simple water shader effect in fluorescence, compared to the classic look of water in UO. Video quality is not great, unfortunately it's a bit hard to record fluent movements properly.

A shader I made in ShaderForge to make the bare bones for a stream. Looking to advancing it further. Link to the graph below http://www.nathanajhar.com/stream-and-leaves-shader/

My awesome 2D water engine. This time I remembered to disable compiz-fusion so video quality is much better, there's no flickering or laag.

Different lighting modes using OpenGL Vertex Shader with GLSL. First one is with no lights. Second is directional light, third point light, fourth spot light.

Some work in progress on the 3D model loading and animating. Also the video was recorded using a new realtime mode of MediaRecorderNode

Amplify Shader Editor, Unity Asset Store Exclusive - https://www.assetstore.unity3d.com/en/#!/content/68570 This tutorial was recorded using ASE BETA 1, the UI or Nodes used might differ slightly from the currently available version. Be sure to check the Manual Page (http://amplify.pt/unity/amplify-shader-editor/manual/) for updated information. Amplify Shader Editor (ASE) is a node-based shader creation tool inspired by industry leading software. An open and tightly integrated solution, it provides a familiar and consistent development environment that seamlessly blends with Unity’s UI conventions and Shader use. Affordable quality and flexibility with the responsive customer support you can expect from Amplify Creations. Check out the official product page for additional information: http://amplify.pt/unity/amplify-shader-editor/

Playing around with OpenGL ES 2.0 shaders on the Ras Pi. Next stop: vertex manipulation with numpy :D

GLSL skybox and cubemap samples sources: https://github.com/glasm/samples/tree/master/GLScene/Demo/glslskybox

This is a showcase of my open source game engine that uses OpenGL 4+ and DirectX 11 to render a simple scene with a environment map and a reflection shader. The engine name is Blue Flame Engine. As of this video the engine supports Windows, Linux, Web and Android. Link to the engine:- https://github.com/Vault16Software/Blue-Flame-Engine

http://www.shaderslab.com/demo-48---alpha-depending-distance-camera.html Patreon : https://www.patreon.com/shaderslaboratory

2D shock wave post processing effect coded in GLSL in GeeXLab (http://www.geeks3d.com/geexlab/)

Here is my first step with a reflection shader on libGDX. It's still very basic : there are no distortions or motions in the water. For more informations on my project follow me : Facebook : https://www.facebook.com/Apprentice-Soft-157533514581396/timeline/ Twitter : https://twitter.com/ApprenticeSoft To play my games, see the Google Play Store : https://play.google.com/store/apps/developer?id=Apprentice+Soft

Rendering Samus Aran and applying a rotating light that changes its color with time.

My new material and Foliage actor. Plant and tree are animated by wind, character and explosions.

Ocean water rendering (project in development). Implemented in DX11 using shader model5. Wave animation is done using FFT and Perlin noise (able to switch between modes) and tessellation is implemented using hull shader.

Because I didn't want to implement a C++ shader-handler class yet but need to know, if I can achieve relativistic effects on the GPU in realtime, I decided to start to work with TyphoonLabs' ShaderDesigner. It allows you to implement your own shader vertex/fragment shaders and look at the result immediatly. In addition you can manipulate your uniform variables at the bottom of the screen, which is a really handy feature. This is my first project that just makes use of the builtin uniform variable TIME_FROM_INIT to see some nice dynamics instead of just static shading. It's just a short video, but I'll upload more in time.

CMPS 164 - Game Engines Final Project Created a golf course game engine with the following shaders: - Heat Wave Ripple - Rain - Snow - Wind - Texture Coded in C++, OpenGL, and GLSL using Visual Studio 2010

Calm water is a simple water shader designed to offer great customization options for an amazing look without having too many features. Color You can control the depth color and shallow color individually and select the depth level. Distortion Great distortion effect based on the animated normal map with two quality settings to better fit your needs. Reflections Distorted reflections with 3 modes. (CubeMap,RealTime,Mixed) Foam Customizable dynamic foam. Now on asset store: https://www.assetstore.unity3d.com/en/#!/content/50834

This was recorded on a Samsung Galaxy S4; running at native resolution (1920x1080) the video shows three layers that scroll left and right endlessly. The middle layer scrolls at 1/2 speed of front layer, and the background layer scrolls at 1/3 of front layer. The layers experience "friction" and gradually slow down to a stop. NOTE: youtube made the video jittery, the effect is actually quite smooth on the phone. Size of the front layer: 2998px by 276px Size of middle layer: 2998px by 482px Size of background layer: 2998px by 338px The effect would be improved if each layer had an overlapping semi-transparent area so that a a solid edge for each layer wasn't visible. i.e. the front layer overlaps the middle layer, and the middle layer overlaps the background layer.

Shader Functions, SF for short, are individual node networks that allow you to build reusable functions. Easy to setup and extremely flexible, they work by receiving input values directly from your shader, processing that information and outputting them back for further alterations or direct use. SF assets are not bound to any shader, you can use them multiple times throughout your project, in the same shader, inside other Shader Functions, or even share them with other users. From simple to complex graphs, Shader Functions are a great way to reduce canvas clutter by packing complex networks into single nodes, and a great way to eliminate unnecessary repetitive tasks. Amplify Shader Editor (ASE) is a node-based shader creation tool inspired by industry leading software. An open and tightly integrated solution, it provides a familiar and consistent development environment that seamlessly blends with Unity’s UI conventions and Shader use. Affordable quality and flexibility with the responsive customer support you can expect from Amplify Creations. Check out the official product page for additional information: http://amplify.pt/unity/amplify-shader-editor/

In this screencast you see truly visually seamless blending of gtk+-widgets on top of a OpenGL-context. The whole UI is "one piece" and you don't see any "gaps" between the gtk+-widgets and the objects drawn with OpenGL. Actually everything is drawn via OpenGL, even the gtk+-widgets. They are texture-mapped onto quads. For obtaining the textures of the widgets the OpenGL-extension GLX_EXT_texture_from_pixmap is used. You see that this approach fully respects resizing, theme-changes and mouse- and keyboard input. For more info visit http://macslow.thepimp.net

Procedural Ocean shader in Blender Cycles. Node-based realistic water shader for animation. Rendered in 9 hours on Nvidia GTX 970 and Intel 4790k with 16gb ram. Watch the Breakdown: https://www.youtube.com/watch?v=HQu6aPyy728&feature=youtu.be Watch the Tutorial: https://www.youtube.com/watch?v=NqsOH-qToHs&feature=youtu.be Feel free to ask me any questions in the comments :) And of course, don't forget to subscribe ------ More of WayneMation? Twitter: https://twitter.com/SimonMueck Main Channel: https://www.youtube.com/channel/UCJ1fjbnEitFNJAOEPt3_N7w Made with Blender Cycles 2.79, Adobe Premiere CC ©2018

https://assetstore.unity.com/publishers/21287 This is the second iteration of the unity material pipeline. The surface shader has been ported to Amplify Creation's Shader Editor and all shaders have custom inspectors vastly simplifying the interface. There's now a single surface shader with optional color, normal, metallness and roughness maps. Furthermore, the previous plain and textured decal shaders are now just a single textured decal shader, also with optional maps for color and metalness/smoothness.